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Maker music education: Towards a post-digital, participatory and empowering music education

  • This theoretical paper aims to delineate a music-specific interpretation of a concept known as maker education by addressing substantial challenges within educational technologies, particularly in music education. Challenges include the potential constraints on musical agency, limitations to specific music genres and sounds and the environmental impact of increased music technology use in classrooms. In response, the maker education concept is introduced, adapted and refined as a pathway towards a post-digital, participatory and empowering music education. Employing a Design-Based Research approach, design principles for ‘maker music education’ are delineated, and the subsequent steps in the research process are outlined.

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Metadaten
Author:Johannes TreßORCiD
URN:urn:nbn:de:bsz:frei129-opus4-35720
DOI:https://doi.org/10.1177/02557614241259755
ISSN:0255-7614
ISSN:1744-795X
Parent Title (English):International Journal of Music Education
Publisher:SAGE Publications
Place of publication:Sage UK: London, England
Document Type:Article
Language:English
Date of first Publication:2026/02/01
Release Date:2026/03/24
Tag:Agency; design-based research; maker education; music education; music technology; post-digital
Volume:44
Issue:1
First Page:100
Last Page:110
SWB-ID:196712325X
Open Access:Frei zugänglich
Licence (German):License LogoCreative Commons - CC BY - Namensnennung 4.0 International